The Partially Examined Life Philosophy Podcast

On Harman's Object-Oriented Ontology: A New Theory of Everything (2018). What counts as an entity in the world? Harman includes not just physical objects, but fictional objects, "sensual objects," and even events, which you might have thought were the alternative to objects.

With this promiscuous ontology comes a strange theory of causality whereby no real object touches another real object, and an epistemology that involves us having no knowledge of real objects at all, though Harman's theory art gives us a back-door to make up for this deficiency, and philosophy itself ends up sharing in these properties of art.

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To kick off 2026, Mark and Mary talk about memory: memory care for the elderly, the relation between things and memories, what professional activities are worth preserving (improv performances?), being the tchotchke, womb nostalgia, puppets and percussion, plus a visit from the future.

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Finishing up Group Psychology and the Analysis of the Ego, finally now turning to Freud's anthropological account of group membership.

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Ontario guitarist Darren has released six albums of concise instrumentals since 2019, often using metal guitar tones and tropes, but with a great range of tones and often catchy melodies.

We discuss "The Day Beneath Yesterday" (and listen at the end to "Dangerous Curves") from Perpetual Night (2025), "Broken Glass and Disappointment" from Thoughts and Scares (2022), and "The Earth is B Flat" from Lifting the Curse (2019). Intro: The title track from Wonders of the Invisible World (2020). More at darrenboyd.com.

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The Netflix sci-fi/horror/teen series by the Duffer Brothers that started in 2016 has now finished with its sixth season, attempting to be both epic and sentimental. Who is this show actually aimed at? We talk about the initial appeal through various uneven seasons through the execution of the finale. Has the thing gone on so long that we can't make sense out of the continuity. Featuring, as usual, Mark, Lawrence, Sarahlyn, and Al.

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